What reviewers are saying

"This disc offers musical experiences utterly out of the ordinary. . . . Smith's pieces are music of experiment and discovery: a way of enabling the physical world to 'speak' by investigating, harnessing and organizing its sonic properties. The extraordinary sound-world of Smith's articulately structured music captivates from the start." --International Record Review

"Chas Smith . . . musician, composer, engineer, metal craftsman and inventor is a classic American original." --New Times, Los Angeles

"With Smith's music, the sounds are as compelling as his concepts and instruments." --The Wire, UK

"Like famed composer and instrument builder Harry Partch, whom Smith readily acknowledges as an influence, Smith creates unsettling music that is both beautiful and eerie." --Electronic Musician magazine

"Really nice sounds here, and the resulting musical constructions are quite beautiful." --Fanfare

"Meditative alien soundscapes where time comes to a halt . . . a beautiful aural experience . . . Definitely recommended." --All-Music Guide

"Dark atmospheres, crepuscular metallic textures and disquieting whispers compose a landscape of eerie colors. Much of the music is icy, ghostly, static." --Amazing Sounds

"The buzzing cloud of overtones becomes thicker as the work slowly progresses, and the harmonies take on an aching quality, and it is difficult to know whether one is calmed or disturbed by this music." --ClassicalNet

"A vastly intriguing work, which must really be something to witness as a live performance." --Incursion Music Review, Canada

Smith has a penchant for long tones and drones, as well as an ear and love for magnificent sonorities. From his creations, as well as his pedal steel guitar, he elicits sounds that suggest thunder, approaching jetliners, electronics, screeching machinery, and much, much more. And he doesn't merely string together gimmicky sounds; he integrates them into sumptuous compositions that range from delicate, lyrical vignettes to grating, sometimes horrific tone poems. --Dean Suzuki, San Francisco Bay Guardian

"Infinitely deep and mysterious sounds. Absolutely unmissable." --Deep Listenings magazine, Italy

"The music that comes out of this strange and compelling metallic menagerie is both atmospheric and abrasive, searching for a middle ground between the two. All of the instruments have a visual aside as well. . . . He has reached the great divide, cutting geographically America through a ridge of harmonic suspensions. I would warmly recommend this CD to anybody who is interested in innovative and daring approaches to contemporary music." --I Heard a Noise webmagazine, Romania