Home


Use "quotes" to narrow your search

Getting Started
New Member Registration

Registered Member Login
Expanded Search
Catalogs
FAQs
Site Map

New Release Pages
Alternative/Indie
Blues
Children's Music
Classical
Comedy
Early Music
Folk Music
Home Schooling
Jazz
Nature
New Age
Opera/Vocals
Pop & Jazz Vocals
Show Music
Storytelling for Kids
Super Audio CDs (SACDs)
World Music
Video and DVD

Exclusively From Allegro
18th & Vine
Alacazam!
American Legends
Arte Nova
Big Blue Dog Records
Cocktail Hour
Columbia River Entertainment
Colors of the World
Endeavour Classics
Moscow Studio Archives
Opera d'Oro
Special Interest DVD & VHS

Customer Service
Shipping & Handling
Payment Methods & Returns
Track Your Order
View Shopping Cart
Contact Us

Links and Tours
Label Links
Artist and Other Links
Tour Itinerary

Allegro
About Allegro
Listening Displays
Label Submissions
Retailer Information
Employment
Internships

 


Moscow Studio Archives presents the greatest Russian artists and
the most beloved Russian music in historic recordings—many never
before released in North America. Richter, Rostropovich, Svetlanov,
Pletnev, and more, performing masterworks that span the history
of Russian music. This is an exciting, collectible series for Russophiles:
each booklet contains rare photos and a special essay by well-known
writers who are experts on Russian classical music.

Oleg Yanchenko, organ/The Sveshnikov Boys Chorus of the Moscow Chorus School/Victor Popov, artistic director
Artyomov: Requiem
Moscow Studio Archives

Artyomov has claimed a deep interest in Russian folklore and a kinship with his 19th century musical forebears, who aimed to incorporate Russian cultural traditions into their art. For him, music is more than mere entertainment. It is a spiritual quest, and he has stated that he believes in music’s power to "transfigure the created world" – an almost Scriabinesque philosophy.

The Requiem (1986) was first performed at the Moscow Conservatory in 1988, and can be considered Artyomov's breakthrough work. The press were ecstatic in their praise and the piece was later aired by Moscow State Radio, the first time a Requiem Mass had been broadcast in the Soviet Union.

In 1976, Dmitri Kitaenko was named chief conductor of the Moscow Philharmonic Symphony Orchestra, a position he held until 1990, when he left Russia for the West.

Moscow Philharmonic Symphony Orchestra/Dmitri Kitaenko, cnd.
Rachmaninov: Symphony No. 1 in D minor, Op. 13 • The Rock (Fantasia for Large Symphony Orchestra), Op. 7
Moscow Studio Archives

The works on this disc belong to Rachmaninov's early period, the first being an orchestral tone poem, The Rock, inspired by Chekhov's On the Road, the story of a young woman and an older man who meet at an inn on Christmas Eve. Tchaikovsky expressed admiration for The Rock, despite the fact that it is considerably more modern than almost anything in Tchaikovsky's oeuvre.

Coming shortly after his first piano concerto, the Symphony No. 1 was written on a grand scale but was a disaster at its first performance in St. Petersburg in 1897, due largely to the inebriation of the conductor, Alexander Glazunov. Rachmaninov fell into a deep depression that was only relieved by two years of hypnosis, after which his career resumed with the popular Piano Concerto No. 2.

The conductor Dmitri Kitaenko was born in St. Petersburg (then Leningrad) and studied there and at the Moscow Conservatory. Kitaenko was the very first winner of the Herbert von Karajan Competition in Berlin in 1969. He was only 29 years old when he was appointed chief conductor of the Moscow Opera Theater.

Recordings 1986/1984.


Copyright © 1998 - 2008 Allegro Media Group. All rights reserved.